The Performance Practice of Electroacoustic Music : The Studio di Fonologia years
Toro-Pérez, Germán
The Performance Practice of Electroacoustic Music : The Studio di Fonologia years - Bern Peter Lang International Academic Publishing Group 2018 - 1 electronic resource (156 p.)
Open Access
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
Creative Commons
English
b11668
10.3726/b11668 doi
Electronic music
Theory of music & musicology
Angelica Aufführungspraxis Bennett Dominik Electroacoustic Elektroakustische Musik Fonologia Germán Lucas Music Musikgeschichte Pérez Performance Practice Sackmann Scholze Studio Studio di Fonologia Toro years
The Performance Practice of Electroacoustic Music : The Studio di Fonologia years - Bern Peter Lang International Academic Publishing Group 2018 - 1 electronic resource (156 p.)
Open Access
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
Creative Commons
English
b11668
10.3726/b11668 doi
Electronic music
Theory of music & musicology
Angelica Aufführungspraxis Bennett Dominik Electroacoustic Elektroakustische Musik Fonologia Germán Lucas Music Musikgeschichte Pérez Performance Practice Sackmann Scholze Studio Studio di Fonologia Toro years