Stealing the Club from Hercules : On Imitation in Latin Poetry
Conte, Gian Biagio
Stealing the Club from Hercules : On Imitation in Latin Poetry - Berlin/Boston De Gruyter 20170430
Open Access
In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
Creative Commons
English
oapen_631773 9783110475838
10.26530/oapen_631773 doi
Classics Classics Aeneas Aeneid Homer Intertextuality Philology Structuralism Virgil
Stealing the Club from Hercules : On Imitation in Latin Poetry - Berlin/Boston De Gruyter 20170430
Open Access
In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
Creative Commons
English
oapen_631773 9783110475838
10.26530/oapen_631773 doi
Classics Classics Aeneas Aeneid Homer Intertextuality Philology Structuralism Virgil