Molière et le théâtre arabe : Réception moliéresque et identités nationales arabes
Langone, Angela Daiana
Molière et le théâtre arabe : Réception moliéresque et identités nationales arabes - Berlin/Boston De Gruyter 20160115
Open Access
Molière, often considered the ‘godfather of Arab theatre’, was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière’s role in the development of a national Arab theatre.
Creative Commons
French
9783110436846;9783110434453
Plays, playscripts
Modern Languages and Linguistics arab theater Molière arabic world
Molière et le théâtre arabe : Réception moliéresque et identités nationales arabes - Berlin/Boston De Gruyter 20160115
Open Access
Molière, often considered the ‘godfather of Arab theatre’, was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière’s role in the development of a national Arab theatre.
Creative Commons
French
9783110436846;9783110434453
Plays, playscripts
Modern Languages and Linguistics arab theater Molière arabic world