Cyberpunk in a Transnational Context
Tatsumi, Takayuki
Cyberpunk in a Transnational Context - MDPI - Multidisciplinary Digital Publishing Institute 2019 - 1 electronic resource (122 p.)
Open Access
Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film
Creative Commons
English
books978-3-03921-422-8 9783039214228 9783039214211
10.3390/books978-3-03921-422-8 doi
n/a virtual reality Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? “rich sight” Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner
Cyberpunk in a Transnational Context - MDPI - Multidisciplinary Digital Publishing Institute 2019 - 1 electronic resource (122 p.)
Open Access
Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film
Creative Commons
English
books978-3-03921-422-8 9783039214228 9783039214211
10.3390/books978-3-03921-422-8 doi
n/a virtual reality Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? “rich sight” Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner