Some Ways of Making Nothing : Apophatic Apparatuses in Contemporary Art (Record no. 34870)

MARC details
000 -LEADER
fixed length control field 02328naaaa2200301uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/63758
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219181955.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number P3.0327.1.00
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781953035370
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.21983/P3.0327.1.00
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code ABA
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code ACXJ5
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Cloninger, Curt
Relationship auth
245 10 - TITLE STATEMENT
Title Some Ways of Making Nothing : Apophatic Apparatuses in Contemporary Art
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Brooklyn, NY
Name of publisher, distributor, etc. punctum books
Date of publication, distribution, etc. 2021
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (462 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. "What if all works of art were better understood as functioning apparatuses, entangling their human audiences in experiences of becoming? What if certain works of art were even able to throw the brakes on becoming altogether, making nothings rather than somethings? What would be the ethical value of making nothing, of stalling becoming; and how might such nothings even be made? Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art borrows its understanding of apparatuses from quantum mechanics and the process philosophy of Alfred North Whitehead, and its understanding of nothing from apophatic (negative) theology. It then proposes a new way of understanding art, applying this understanding to artworks by Arakawa and Gins, Robert Fludd, David Crawford, Joshua Citarella, William Pope.L, and Haim Steinbach. Philosophy, physics, theology, and media theory are traversed and involved in order to understand art differently so that it might be made to matter more."
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-sa/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-sa/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theory of art
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art & design styles: Conceptual art
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term apophasis, conceptual art, art theory, Arakawa & Gins, David Crawford, Haim Steinbach, Joshua Citarella, Robert Fludd, William Pope.L
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/46850/1/0327.1.00.pdf">https://library.oapen.org/bitstream/20.500.12657/46850/1/0327.1.00.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/63758">https://directory.doabooks.org/handle/20.500.12854/63758</a>
Access status 0
Public note DOAB: description of the publication

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