Towards a Digital Epistemology : Aesthetics and Modes of Thought in Early Modernity and the Present Age (Record no. 35757)

MARC details
000 -LEADER
fixed length control field 02372naaaa2200373uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/72072
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219183534.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 978-3-030-78724-0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783030787240
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-030-78724-0
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code JFD
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code DS
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Ingvarsson, Jonas
Relationship auth
245 10 - TITLE STATEMENT
Title Towards a Digital Epistemology : Aesthetics and Modes of Thought in Early Modernity and the Present Age
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Springer Nature
Date of publication, distribution, etc. 2021
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (136 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights by-nc-nd/4.0/
Source of term cc
-- http://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Media studies
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Literature: history & criticism
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term digital humanities
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term media archeology
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Uncontrolled term media history
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Uncontrolled term early modern aesthetics
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Uncontrolled term digital culture
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term aesthetic history
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Open Access
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/50723/1/978-3-030-78724-0.pdf">https://library.oapen.org/bitstream/20.500.12657/50723/1/978-3-030-78724-0.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/72072">https://directory.doabooks.org/handle/20.500.12854/72072</a>
Access status 0
Public note DOAB: description of the publication

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