Theory into practice : Composition, Performance and the Listening Experience (Record no. 35955)

MARC details
000 -LEADER
fixed length control field 02427naaaa2200301uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/72032
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219183932.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789461664327
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789061869948
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.11116/9789461664327
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AVA
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Cook, Nicholas
Relationship auth
245 10 - TITLE STATEMENT
Title Theory into practice : Composition, Performance and the Listening Experience
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Leuven
Name of publisher, distributor, etc. Leuven University Press
Date of publication, distribution, etc. 2021
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (120 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. "Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions."
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theory of music & musicology
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term musical composition; performance; listening experience; analysis
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Johnson, Peter
Relationship auth
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Zender, Hans
Relationship auth
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/50692/1/9789461664327.pdf">https://library.oapen.org/bitstream/20.500.12657/50692/1/9789461664327.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/72032">https://directory.doabooks.org/handle/20.500.12854/72032</a>
Access status 0
Public note DOAB: description of the publication

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