Mozart's Tempo-System : A Handbook for Practice and Theory (Record no. 36410)

MARC details
000 -LEADER
fixed length control field 02230naaaa2200289uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/29895
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219184755.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number /doi.org/10.5771/9783828872035-256
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783828872035
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code https://doi.org/10.5771/9783828872035-256
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AV
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Breidenstein, Helmut
Relationship auth
245 10 - TITLE STATEMENT
Title Mozart's Tempo-System : A Handbook for Practice and Theory
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Tectum Wissenschaftsverlag
Date of publication, distribution, etc. 2019
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. A reference book for the musician’s practical work of interpretation, this volume, after a general presentation of 18th century principles for determining a tempo, offers a compendium of all Mozart’s autograph tempo markings in 420 lists of pieces of similar character. Thus, a comparison of slower and quicker movements is made possible by 434 music examples, and there follows a wide-ranging collection of relevant texts taken from historical sources. The book does not claim to know “the single correct tempo” for the works of Wolfgang Amadeus Mozart. It hopes to be of assistance in the unavoidable search by every interpreter for the “true mouvement” of each work—for the work itself, for the performer, the instrument or instruments, the room, the public, the nature of the event. It follows that there can be no absolutely “authentic” tempo for Mozart’s works. And yet his tempo markings, since he chose them so meticulously, should be taken equally seriously with the other parameters of his famously precise notation.
536 ## - FUNDING INFORMATION NOTE
Text of note Knowledge Unlatched
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Music
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Reference
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/43533/1/external_content.pdf">https://library.oapen.org/bitstream/20.500.12657/43533/1/external_content.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/29895">https://directory.doabooks.org/handle/20.500.12854/29895</a>
Access status 0
Public note DOAB: description of the publication

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