Chapter 4 Kruder and Dorfmeister : The studio(us) remixers (Record no. 37080)

MARC details
000 -LEADER
fixed length control field 03185naaaa2200505uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/29682
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781315230627
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code A
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mazierska, Ewa
Relationship auth
245 10 - TITLE STATEMENT
Title Chapter 4 Kruder and Dorfmeister : The studio(us) remixers
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Taylor & Francis
Date of publication, distribution, etc. 2018
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (20 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. When Cruise , the film whose dialogue I used as an epigraph for this chapter, was released in 1970, these words were seen as capturing Polish inability to move beyond the safe zone of a well-known repertoire of images, melodies and symbols. Austrians allegedly are also stuck in the past (see Chapter 1 ). This would explain Kruder and Dorfmeister’s penchant for making capital from our pleasure of listening to melodies we already know, if not for the fact that they gained fame not from capitalising on Vienna’s music history but remixing songs coming from the Anglo-American centre of popular music, such as those by Depeche Mode, Madonna and David Holmes. Theirs is thus an interesting case of colonisation, which includes self-colonisation and reverse colonisation: taking something from the centre, reworking it and returning to the centre an improved version. Depending on the perspective, their productions can be seen as proof of the hegemony of the centre or a sign that the periphery can not only resist the centre’s power but also penetrate it on its own terms. Equally, they can be seen as a sign of the end of authenticity and originality in popular music (and art at large) in the postmodern era or a need to rework these concepts to fit the art of creative recycling.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights by-nc-nd/4.0/
Source of term cc
-- http://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element The arts
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Electronica
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Music
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Austria
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Uncontrolled term Vienna
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Uncontrolled term History
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Uncontrolled term Criticism
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Popular music
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Social aspects
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Electronica
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Music
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Austria
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Vienna
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term History
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Criticism
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Popular music
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Social aspects
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Brian Eno
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Disc jockey
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Kruder & Dorfmeister
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Uncontrolled term Simon & Garfunkel
773 10 - HOST ITEM ENTRY
Host Biblionumber OAPEN Library ID: 1001564
Title Popular Viennese Electronic Music, 1990–2015
Control subfield nnaa
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/28398/1/9781138713918_oachapter4.pdf">https://library.oapen.org/bitstream/20.500.12657/28398/1/9781138713918_oachapter4.pdf</a>
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Public note DOAB: download the publication
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Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/28398/1/9781138713918_oachapter4.pdf">https://library.oapen.org/bitstream/20.500.12657/28398/1/9781138713918_oachapter4.pdf</a>
Access status 0
Public note DOAB: download the publication
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Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/28398/1/9781138713918_oachapter4.pdf">https://library.oapen.org/bitstream/20.500.12657/28398/1/9781138713918_oachapter4.pdf</a>
Access status 0
Public note DOAB: download the publication
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Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/29682">https://directory.doabooks.org/handle/20.500.12854/29682</a>
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