Art of Fugue : Bach Fugues for Keyboard, 1715–1750 (Record no. 37174)

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control field https://directory.doabooks.org/handle/20.500.12854/37903
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219190150.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number /www.luminosoa.org/site/books/10.1525/luminos.1/
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780520962590
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code http://www.luminosoa.org/site/books/10.1525/luminos.1/
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041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AV
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kerman, Joseph
Relationship auth
245 10 - TITLE STATEMENT
Title Art of Fugue : Bach Fugues for Keyboard, 1715–1750
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. University of California Press
Date of publication, distribution, etc. 2015
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most infl uential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. “Beautifully produced and even more beautifully written, suffused with humanistic learning, warmth, generosity, and wit.” —Early Music“Kerman’s hearing is sharp, his thinking precise and original, and his prose elegant and sapid.”—Michael Steinberg, author of The Symphony: A Listener’s Guide “Astonishing, stimulating, marvelous, and accessible.” —Stephen Kovacevich JOSEPH KERMAN (1924–2014) was Professor at the University of California, Berkeley, author of Concerto Conversations, Write All These Down, and Opera as Drama, among other books. He was a founding editor of the journal 19th-Century Music and a regular contributor to the New York Review.
536 ## - FUNDING INFORMATION NOTE
Text of note Knowledge Unlatched
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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-- https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Music
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term General
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Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/43771/1/external_content.epub">https://library.oapen.org/bitstream/20.500.12657/43771/1/external_content.epub</a>
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Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/37903">https://directory.doabooks.org/handle/20.500.12854/37903</a>
Access status 0
Public note DOAB: description of the publication

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