Creativity: the Actor in Performance (Record no. 40882)

MARC details
000 -LEADER
fixed length control field 02244naaaa2200289uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/44229
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219201132.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783110402100
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783110427387
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783110402100
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.2478/9783110402100
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Trenos, Helen
Relationship auth
245 10 - TITLE STATEMENT
Title Creativity: the Actor in Performance
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. De Gruyter
Date of publication, distribution, etc. 2014
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (93 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Creativity: The Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts—in performance. But, as actors know, performance is a thing unto itself—something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times – creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term performing
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Stage-acting
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term creativity
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://doi.org/10.2478/9783110402100">https://doi.org/10.2478/9783110402100</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/44229">https://directory.doabooks.org/handle/20.500.12854/44229</a>
Access status 0
Public note DOAB: description of the publication

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