The Turns of the Global (Record no. 41462)

MARC details
000 -LEADER
fixed length control field 02462naaaa2200277uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/64644.3
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219202136.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 978-84-9168-420-6
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code A
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Guasch, Anna Maria
Relationship auth
245 10 - TITLE STATEMENT
Title The Turns of the Global
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Publicacions i Edicions de la Universitat de Barcelona
Date of publication, distribution, etc. 2019
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. When we talk about the geographical, ecological, ethnographic, historical, documentary, and cosmopolitan “turns” in relation to the work of practitioners of contempory art, what exactly do we mean? Are we talking about a “reading strategy”? About an interpretive model, as would be derived from the linguistic turn of the 1970s, or rather about a stratigraphic structure that could be read across multiple cultural practices? Do we wish to read one system by means of another system, in a way that one nurtures the other so that it can open us up to other forms of being? Or is it rather about a generative movement in which a new horizon emerges in the process, leaving behind the practice that was its point of departure? The recurrence of “turn” in place of “style”, “-ism”, or “tendency” would ultimately respond to a clear urgency of the contemporary global world: a movement characterised by aesthetic pluralism, by the simultaneousness of various modi operandi, and by a great multiplicity of languages that constantly change their state while having many features in common. And “turn” would also allow within the space of the contemporary — of here and now —, a great diversity of stories from all around the world that should be confronted simultaneously in an intellectual outlook that is continuous and disjunctive, essential to understanding the present as a whole.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element The arts
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art contemporani
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Globalització
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Transnacionalisme
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Etnocentrisme
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="http://hdl.handle.net/2445/152200">http://hdl.handle.net/2445/152200</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/64644.3">https://directory.doabooks.org/handle/20.500.12854/64644.3</a>
Access status 0
Public note DOAB: description of the publication

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