Didascalia cioè dottrina comica libri tre (1658-1661) : Saggio introduttivo. L'opera esemplare di un 'moderato riformatore', edizione critica e note di Sandro Piazzesi (Record no. 42193)

MARC details
000 -LEADER
fixed length control field 02173naaaa2200217uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/45071
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219203552.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 978-88-6453-490-9
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9788864534909
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.36253/978-88-6453-490-9
Terms of availability doi
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Girolamo Bartolomei Sandro Piazzesi
Relationship auth
245 10 - TITLE STATEMENT
Title Didascalia cioè dottrina comica libri tre (1658-1661) : Saggio introduttivo. L'opera esemplare di un 'moderato riformatore', edizione critica e note di Sandro Piazzesi
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Firenze University Press
Date of publication, distribution, etc. 2016
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (482 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Girolamo Bartolommei’s literary research is characterised by the narration of actions carried out by sacred and profane subjects and by the narration of ancient fabulae, re-interpreted according to the principle of moral utility. Girolamo Bartolommei dealt with different forms of lyrical, epic, dramaturgical and musical writing, recalling 'the benign readers' of his works to the ethical and social function of poetry. His work Didascalia cioè dottrina comica (“Caption, that is comic doctrine” printed in Florence in 1658 and reprinted in 1661), of which the critical edition is here introduced, is of particular interest for the peculiarity of the theoretical proposal. Such proposal is ascribable to the aesthetic of the academy theatre, aimed at demonstrating to young writers that only the 'honesty' and the decorum of a 'well-ordered comedy' could lift the fate of comic art from the degradation in which it had fallen. The author tries to convey this idea by proceeding from questions of general poetics up to the 'sketches of middle comedies' he composed himself.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by/4.0/
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://www.fupress.com/redir.ashx?RetUrl=2372_21576.pdf">https://www.fupress.com/redir.ashx?RetUrl=2372_21576.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/45071">https://directory.doabooks.org/handle/20.500.12854/45071</a>
Access status 0
Public note DOAB: description of the publication

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