Canones: The Art of Harmony. The Canon Tables of the Four Gospels (Record no. 44923)

MARC details
000 -LEADER
fixed length control field 02461naaaa2200313uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/42653
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219212837.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783110625844
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783110625844
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1515/9783110625844
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Wimmer, Hanna
Relationship auth
245 10 - TITLE STATEMENT
Title Canones: The Art of Harmony. The Canon Tables of the Four Gospels
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. De Gruyter
Date of publication, distribution, etc. 2020
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (269 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex – and, in doing so, building upon and bringing to completion previous endeavours – the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gospels as Sacred Scripture of the Christians and can be seen as exemplary for the formation, development and spreading of a specific Christian manuscript culture across East and West AD 300 and 800. In the footsteps of Carl Nordenfalk’s masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of ‘Canon Tables’ in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term manuscript studies
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term New Testament manuscripts
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term illustrated Gospels
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term medival art history
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Bausi, Alessandro
Relationship auth
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Reudenbach, Bruno
Relationship auth
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://doi.org/10.1515/9783110625844">https://doi.org/10.1515/9783110625844</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/42653">https://directory.doabooks.org/handle/20.500.12854/42653</a>
Access status 0
Public note DOAB: description of the publication

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