The Kindness Colder Than the Elements (Record no. 48076)

MARC details
000 -LEADER
fixed length control field 01907naaaa2200241uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/51091
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219222954.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781926836256
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781926836249
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781926836645
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Charles Noble
Relationship auth
245 10 - TITLE STATEMENT
Title The Kindness Colder Than the Elements
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Athabasca University Press
Date of publication, distribution, etc. 2011
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (181 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. These are poems that play with and in language, take pleasure in the sounds of words, poems that are propelled by puns. Yet even with this priority of sound and language, there are tender moments when the language does more than delight in itself, as though it has stumbled across lyric meaning accidentally." —Jay Gamble, University of Lethbridge . With wit and cunning, Noble's poems insinuate themselves into the mediations of "we use language" / "language uses us," into the objectification of "mind," into the struggles and cracking of systems. Cuing on Hegel's epochal revitalization of the syllogism, they begin with sentences-cum-arguments that issue from an everyman's intentions and insights, playing into and baiting the "sociality of reason." In the cut-up sentences then come the restless, accelerated themes—themes that exist only in their variations, ghosting into one another like the dusk and the dawn in a winging, distended now.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="http://www.aupress.ca/index.php/books/120201">http://www.aupress.ca/index.php/books/120201</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/51091">https://directory.doabooks.org/handle/20.500.12854/51091</a>
Access status 0
Public note DOAB: description of the publication

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