The Look of Things : Poetry and Vision around 1900 (Record no. 49982)

MARC details
000 -LEADER
fixed length control field 02165naaaa2200313uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/31427
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219230920.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780807863237_Strathausen
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.5149/9780807863237_Strathausen
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code DS
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Strathausen, Carsten
Relationship auth
245 10 - TITLE STATEMENT
Title The Look of Things : Poetry and Vision around 1900
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Chapel Hill
Name of publisher, distributor, etc. The University of North Carolina Press
Date of publication, distribution, etc. 2003
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (344 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Examining the relationship between German poetry, philosophy, and visual media around 1900, Carsten Strathausen argues that the poetic works of Rainer Maria Rilke, Hugo von Hofmannsthal, and Stefan George focused on the visible gestalt of language as a means of competing aesthetically with the increasing popularity and "reality effect" of photography and film. Poetry around 1900 self-reflectively celebrated its own words as both transparent signs and material objects, Strathausen says. In Aestheticism, this means that language harbors the potential to literally present the things it signifies. Rather than simply describing or picturing the physical experience of looking, as critics have commonly maintained, modernist poetry claims to enable a more profound kind of perception that grants intuitive insights into the very texture of the natural world.
536 ## - FUNDING INFORMATION NOTE
Text of note National Endowment for the Humanities
536 ## - FUNDING INFORMATION NOTE
Text of note Andrew W. Mellon Foundation
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Literature: history & criticism
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Poetry
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term German Studies
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Literature
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/39872/1/9781469658452_WEB.pdf">https://library.oapen.org/bitstream/20.500.12657/39872/1/9781469658452_WEB.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/31427">https://directory.doabooks.org/handle/20.500.12854/31427</a>
Access status 0
Public note DOAB: description of the publication

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