Double Jeopardy : A Critique of Seven Yüan Courtroom Dramas (Record no. 51831)

MARC details
000 -LEADER
fixed length control field 02558naaaa2200301uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/30213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219234652.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number mpub.19158
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.3998/mpub.19158
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AC
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Perng, Ching-Hsi
Relationship auth
245 10 - TITLE STATEMENT
Title Double Jeopardy : A Critique of Seven Yüan Courtroom Dramas
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Ann Arbor
Name of publisher, distributor, etc. University of Michigan Press
Date of publication, distribution, etc. 2020
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (195 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Traditionally, criticism of plays from the Yüan Dynasty (1260–1368) has been dominated by the so-called poetic and socialist schools. Double Jeopardy instead rigorously evaluates a group of plays by aesthetic criteria generated from within the works themselves. It examines seven courtroom plays with special attention to language and the manipulation of dramatic characters—undoubtedly the most reliable indicators of the playwright’s strength and craftsmanship in such a stylized art form as Yüan tsa-chü drama. The analytical method adopted in Double Jeopardy is textual explication of the conventions of genre and the individual characteristics of each play. The innovation and creative vitality of each playwright emerges through close scrutiny of selected conventional aspects of courtroom dramas: the functions and placement patterns of lyric, verse, and prose as well as the custom of a single singing role and its implication for the presentation of dramatis personae. Because Yüan drama is driven by conventions, Perng demonstrates a method that can be applied not just to judgment reversal plays but to Yüan dramatic criticism as a whole. In pursuing a method of textual explication, Perng provides a basis on which a larger framework of criticism of Yüan drama may be built.
536 ## - FUNDING INFORMATION NOTE
Text of note National Endowment for the Humanities
536 ## - FUNDING INFORMATION NOTE
Text of note Andrew W. Mellon Foundation
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element History of art / art & design styles
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term History of art
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Ching-Hsi, Perng
Relationship auth
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/41832/1/9780472901326.pdf">https://library.oapen.org/bitstream/20.500.12657/41832/1/9780472901326.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/30213">https://directory.doabooks.org/handle/20.500.12854/30213</a>
Access status 0
Public note DOAB: description of the publication

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