The Global Politics of Jazz in the Twentieth Century : Cultural Diplomacy and "American Music" (Record no. 52317)

MARC details
000 -LEADER
fixed length control field 02046naaaa2200337uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/37435
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220219235657.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780429060595
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.4324/9780429060595
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code A
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code H
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code JP
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Saito, Yoshiomi
Relationship auth
245 10 - TITLE STATEMENT
Title The Global Politics of Jazz in the Twentieth Century : Cultural Diplomacy and "American Music"
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Taylor & Francis
Date of publication, distribution, etc. 2020
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (208 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction All rights reserved
-- http://oapen.org/content/about-rights
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element The arts
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Humanities
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Politics & government
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Arts
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term humanities
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term politics
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term international relations
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/37435">https://directory.doabooks.org/handle/20.500.12854/37435</a>
Access status 0
Public note DOAB: description of the publication

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