Chapter Introduction People Between Multiplied Things and Modified Images (Record no. 53000)

MARC details
000 -LEADER
fixed length control field 02438naaaa2200301uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/38592
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220220001121.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367539405
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781003029199
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AC
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jurkowlaniec, Grażyna
Relationship auth
245 10 - TITLE STATEMENT
Title Chapter Introduction People Between Multiplied Things and Modified Images
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Taylor & Francis
Date of publication, distribution, etc. 2020
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (24 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Printed images were, on one hand, material objects produced, owned or variously transformed by humans, but on the other hand, they were immaterial representations, conceived and variously received by humans as well. Certainly, such a complex relationship among things, people and images is not an exclusive feature of the premodern periods print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms. Three short insights may exemplify this rise of printmaking. The first insight s point of departure comprises material objects related to Lucas Cranach the Elders early Crucifixion; the second insight offers a human perspective, starting with Christophe Plantins working practices; and the third insight is a short story that emphasises the ambiguities surrounding what printed images represent, as epitomised by early modern depictions of wisent, a species related to the North American bison, but often confused with the Eastern European aurochs.
536 ## - FUNDING INFORMATION NOTE
Text of note Uniwersytet Warszawski
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element History of art / art & design styles
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term art history; Renaissance; printed images; visual culture; European art history
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Herman, Magdalena
Relationship auth
773 10 - HOST ITEM ENTRY
Host Biblionumber OAPEN Library ID: https://library.oapen.org/handle/20.500.12657/45982
Title The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries
Control subfield nnaa
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/45982/1/9781003029199_OAIntroduction.pdf">https://library.oapen.org/bitstream/20.500.12657/45982/1/9781003029199_OAIntroduction.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/38592">https://directory.doabooks.org/handle/20.500.12854/38592</a>
Access status 0
Public note DOAB: description of the publication

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