Decolonizing Science in Latin American Art (Record no. 53596)

MARC details
000 -LEADER
fixed length control field 04089naaaa2200469uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/74750
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220220002347.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 111.9781787359765
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781787359765
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781787359772
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781787359789
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781787359796
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781787359802
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.14324/111.9781787359765
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code JFC
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Subject category code ACBS
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code JFD
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Page, Joanna
Relationship auth
245 10 - TITLE STATEMENT
Title Decolonizing Science in Latin American Art
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London
Name of publisher, distributor, etc. UCL Press
Date of publication, distribution, etc. 2021
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change, and environmental justice. ‘Joanna Page presents a deeply researched account of contemporary art-science projects in Latin America. She situates them at the crux of current discussions on the decolonization of both the sciences and the arts: by questioning Eurocentric views on humanism and modernity, exploring expanded ideas of perception and cognition, and placing Western scientific knowledge within constellations of beliefs and practices that have been marginalised by colonial histories.’ – Mara Polgovsky Ezcurra, Birkbeck College
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
Source of term cc
-- https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Cultural studies
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Colonial art
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650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Media studies
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Uncontrolled term art-science projects
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Uncontrolled term decolonisation
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Uncontrolled term Latin America
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Uncontrolled term cultural studies
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Uncontrolled term environmental humanities
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Uncontrolled term area studies
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Uncontrolled term art history
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Uncontrolled term media studies
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Uncontrolled term design
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Uncontrolled term south america
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/51812/1/9781787359765.pdf">https://library.oapen.org/bitstream/20.500.12657/51812/1/9781787359765.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/74750">https://directory.doabooks.org/handle/20.500.12854/74750</a>
Access status 0
Public note DOAB: description of the publication

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