Buddha in Beton : Eine buddhologische Kritik der neuen Wege des japanischen Tempelbaus (Record no. 59261)

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fixed length control field 06825naaaa2200577uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/31584
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number bag
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783946198239;9783946198215;9783946198222
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.16994/bag
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title German
042 ## - AUTHENTICATION CODE
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Subject category code ACV
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Subject category code AMN
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Subject category code AMX
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Subject category code HPN
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Subject category code HRE
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gerlach, Jonas
Relationship auth
245 10 - TITLE STATEMENT
Title Buddha in Beton : Eine buddhologische Kritik der neuen Wege des japanischen Tempelbaus
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Cologne
Name of publisher, distributor, etc. Modern Academic Publishing
Date of publication, distribution, etc. 2017
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (522 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. emple. And only because temple architecture – as well as paintings, statues, gardens etc. – shows the presence of the Buddha in this way does it become a religious place where the Buddha is actually present. The final discussion of this study puts these Buddhist teachings in a dialogue with modern aesthetic architectural concepts argued by temple architects. The contrasting points of view make it clear that the explicitly Buddhist idea of Buddhist temple architecture can not be grasped by aesthetics, because its purpose is to show the invisible presence of the Buddha and not to be a sensual (i.e. aesthetic) experience of the visible object itself in the first place. However, aesthetic concepts of art have become common in Japan since the late 19th century. They are the foundation of the described new ways in which temples were built and designed since then. One indication for the impact of aesthetics are Japanese words like shimboru シンボル/shōchō 象徴 (symbol) or fun’iki 雰囲気 (atmosphere) which are used by architects to describe their temple architecture and matters of design. These words were formed around the turn of the century to express European concepts of art and aesthetics, since before that these words and ideas simply did not exist in Japan. And it is only since then, that temples were perceived as aesthetic symbols with various meanings that can be defined by an architect, and that they have a certain atmosphere which should be designed for making visitors feeling comfortable. Now it is the architect himself who gives meaning to its work and who is responsible for a nice spatial experience. But none of these architects is talking about himself becoming Buddha by building a temple. So not only the architectural appearance and construction of Buddhist temples have changed enormously throughout the last 150 years, but also the task of building itself. There has always been change in appearance and construction throughout the history of Buddhism and in the different Buddhist cultures, but the redefinition of the temple as an architectural piece of art is a very recent development in Japan and the actual new idea causing these dramatic architectural changes. "
520 ## - SUMMARY, ETC.
Summary, etc. "Viele buddhistische Tempelbauten in Japan sind heute aus Beton. Sie haben Glasfenster, Teppichböden und elektrisches Licht. Manche sehen aus wie gewöhnliche Wohnhäuser, andere imitieren das Erscheinungsbild traditioneller Bauweisen, wieder andere sind von Star-Architekten geplant. Alle diese Bauten zeigen, dass die alte und einst durch die buddhistische Religion formulierte Aufgabe, einen Tempel zu bauen, in den letzten 150 Jahren in unterschiedlicher Weise neu interpretiert wurde. Gründe dafür sind die japanische Auseinandersetzung mit westlichen Ideen von Kunst, Architektur, Religion und Ästhetik ab dem späten 19. Jahrhundert, die darauf rückführbare Annahme, Tempelbau sei eine Aufgabe für kunstschaffende Architekten, sowie das Bedürfnis, den Ansprüchen der Gegenwart neu zu begegnen. All das führte dazu, dass Jahrhunderte alte liturgische Ideen des Tempelbaus, die in buddhistischen Traditionstexten mit ritueller Wichtigkeit festgehalten sind, ihre Bedeutung zugunsten eines neuen ästhetischen Kunstdenkens eingebüßt haben. Ordnungen und Darstellungen zum Beispiel von maṇḍalas oder Buddhaländern, die fuür den Tempelbau formgebend und sinnstiftend sind, werden in einem künstlerischen Denken von Raumerlebnis und Baustil zu blassen ästhetischen Gestaltungselementen. Diese Studie zeigt zum einen anhand vieler Beispiele die angesprochene jüngere bauliche Entwicklung im Tempelbau auf und legt dabei einen Schwerpunkt auf die Frage nach dem spezifisch Religiösen der neuen Baugestalt. Zum anderen geht sie gleichzeitig der Frage nach, was seitens der buddhistischen Religion als Aufgabe für den Tempel überhaupt formuliert ist, was dies für den Tempelbau bedeutet und wo neben der veränderten neuen Baugestalt deswegen das eigentlich Neue in den jüngeren Entwicklungen des Tempelbaus liegt. Lesen Sie hier die detaillierte English Summary: http://bit.ly/2CYGITG. Jonas Gerlach hat Japanologie, Kunstgeschichte und Musikwissenschaft an der Universität zu Köln und der Sophia Universität in Tokyo studiert (2005–2011). Im Jahr 2015 erfolgte die Promotion im Fach Japanologie an der Universität zu Köln. Zuvor war er dort wissenschaftlicher Mitarbeiter (2012–2014). Jonas Gerlach ist derzeit Mitglied der Geschäftsleitung der Pausanio GmbH & Co.KG, einer Agentur für digitale Kulturkommunikation."
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-sa/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-sa/4.0/
546 ## - LANGUAGE NOTE
Language note German
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element History of art & design styles: c 1800 to c 1900
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element History of art & design styles: from c 1900 -
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Religious buildings
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element History of architecture
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650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Philosophy: aesthetics
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650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Buddhism
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653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term buddhist architecture
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Uncontrolled term buddhism
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Uncontrolled term modern age
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Uncontrolled term temples
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Uncontrolled term aesthetics
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Uncontrolled term japan
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Uncontrolled term Buddha
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Uncontrolled term Dharma
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Uncontrolled term Ritus
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Uncontrolled term Stupa
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Uncontrolled term Sutra
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Uncontrolled term Tempel
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Uncontrolled term Tokio
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