Contemporary Art Collectors: The Unsung Influences ont the Art Scenes (Record no. 78740)

MARC details
000 -LEADER
fixed length control field 02691naaaa2200265uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/43965
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220220093011.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9782111399150
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Marion Vidal
Relationship auth
245 10 - TITLE STATEMENT
Title Contemporary Art Collectors: The Unsung Influences ont the Art Scenes
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Département des études, de la prospective et des statistiques
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. What is a collector? Although the French term collectionneur was first officially recorded in the dictionary in 1789*, its definition covers a range of different practices: for some, the main emphasis is on an item's subjective value, whilst others focus more closely on the accumulation and selection process. Whether they collect shells, stamps, butterflies or works of art, collectors share a number of things in common. However, those who support “emerging” art have a more varied set of practices than those generally observed in their counterparts. In addition to simply being a buyer, the contemporary art collector has the ability to influence the artistic life, especially through the material support provided to artists and by contributing to the construction of artistic value. This particular characteristic is all the more notable as the collector's involvement in artistic life is not solely the prerogative of a narrow wealthy elite, as the collector profiles here demonstrate. Indeed it seems that collector practices may fall anywhere across a scale which ranges from the acquisitive collector, motivated by the desire to possess a work, to the actor collector, for whom the actual acquisition of a work is merely the expression of his willingness to contribute to the vitality of the artistic scene. * « Collector, -s (n). One who collects. Collection, -s (n). A number of objects gathered together under a common theme. A beautiful collection of paintings, books, antiques, medals, plants, shells, etc. » Dictionnaire de l’Académie française, 1789 (7th edition).
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc/4.0/
546 ## - LANGUAGE NOTE
Language note English
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term economics of culture and Communication
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term contemporary art
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term collector
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Dominique Sagot-Duvauroux
Relationship auth
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Nathalie Moureau
Relationship auth
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="http://books.openedition.org/deps/911">http://books.openedition.org/deps/911</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/43965">https://directory.doabooks.org/handle/20.500.12854/43965</a>
Access status 0
Public note DOAB: description of the publication

No items available.