Da La celosa de sí misma di Tirso a La gelosa di se stessa, melodramma di Arcangelo Spagna (Record no. 82955)

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000 -LEADER
fixed length control field 02602naaaa2200301uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/69955
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220220110344.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 978-88-5518-150-1.20
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9788855181501
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.36253/978-88-5518-150-1.20
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title Italian
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Trecca, Simone
Relationship auth
245 10 - TITLE STATEMENT
Title Da La celosa de sí misma di Tirso a La gelosa di se stessa, melodramma di Arcangelo Spagna
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Florence
Name of publisher, distributor, etc. Firenze University Press
Date of publication, distribution, etc. 2020
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. La gelosa di se stessa is the fourth of the six melodramas collected in 1709 by Arcangelo Spagna and published in Rome (Domenico Antonio Ercole), as the third volume of his librettos, but its writing dates back to at least 1689, the date of a previous printed edition, shortly after the opera appeared on stage, a few months before at the palace at the Quattro Fontane of the Prince of Palestrina. It is not to be excluded, however, and this is dealt with in the first pages of this essay, the existence of still earlier editions, especially if we compare the two printed texts, already very divergent between them, and the two manuscripts, both at the Vatican Apostolic Library, to which the manuscript of the score must certainly be added for further problematization. The second section of this paper gets to the heart of the theme that interests us most here, namely the examination of Spagna’s adaptive interventions with respect to what undoubtedly represents its main hypotext, Tirso de Molina’s La celosa de sí misma. The analysis is conducted on the latest printed edition of the melodrama, to be considered as the version that the author wanted to pass on to posterity, as the authorized literary text, still intervening much compared to the previous edition of 1689 on which perhaps, being more linked to the stage event, he hadn’t had much control.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by/4.0/
546 ## - LANGUAGE NOTE
Language note Italian
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Tirso de Molina
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term La celosa de sí misma
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Arcangelo Spagna
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term theatrical rewriting
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term melodrama
773 10 - HOST ITEM ENTRY
Host Biblionumber OAPEN Library ID: ONIX_20210521_9788855181501_26
Control subfield nnaa
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://www.fupress.com/redir.ashx?RetUrl=14605.pdf">https://www.fupress.com/redir.ashx?RetUrl=14605.pdf</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/69955">https://directory.doabooks.org/handle/20.500.12854/69955</a>
Access status 0
Public note DOAB: description of the publication

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