Anatomy of a Wedding: Examining Religiosity, Feminism, and Weddings in GREY’S ANATOMY : Anatomy of a Wedding (Record no. 83070)

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000 -LEADER
fixed length control field 02254naaaa2200253uu 4500
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/63198
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220220110550.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 05.4:2018.2.1
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.25364/05.4:2018.2.1
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Sharon Lauricella
Relationship auth
245 10 - TITLE STATEMENT
Title Anatomy of a Wedding: Examining Religiosity, Feminism, and Weddings in GREY’S ANATOMY : Anatomy of a Wedding
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Schüren Verlag
Date of publication, distribution, etc. 2018
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (39-53 p.)
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc. Medical drama "Grey’s Anatomy" features weddings as pivotal life events, with 14 unions portrayed over the program’s 13 seasons on ABC. This paper is a synthetic approach combining communication, gender studies, and rigorous methodology to examine weddings in "Grey’s Anatomy" through a feminist lens. We employ Butler’s theory of gender performance and Rich’s concept of compulsory heterosexuality to examine weddings throughout the show’s extensive run. Depictions of women and weddings demonstrate dissonance between hegemonic gender performance and the potential to redefine the performance of “woman” in one’s own ways. Tension exists between the program’s portrayal of traditional heterosexual weddings and its progressive inclusion of a lesbian ceremony. We argue that the program’s portrayal of both traditional “white” weddings and ceremonies which are more private and self-defined reflect the challenges inherent in navigating cultural expectations and personal objectives associated with performing as a “woman” in contemporary culture.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
Use and reproduction rights https://creativecommons.org/licenses/by-nc-sa/4.0/
Source of term cc
-- https://creativecommons.org/licenses/by-nc-sa/4.0/
546 ## - LANGUAGE NOTE
Language note English
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Hannah M Scott
Relationship auth
773 10 - HOST ITEM ENTRY
Host Biblionumber OAPEN Library ID: 47010
Title “Who, Being Loved, Is Poor?” - Material and Media Dimensions of Weddings
Control subfield nnaa
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://jrfm.eu/index.php/ojs_jrfm/article/view/113">https://jrfm.eu/index.php/ojs_jrfm/article/view/113</a>
Access status 0
Public note DOAB: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://directory.doabooks.org/handle/20.500.12854/63198">https://directory.doabooks.org/handle/20.500.12854/63198</a>
Access status 0
Public note DOAB: description of the publication

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