TY  - GEN
AU  - Kallio,Kati
AU  - Lehtonen,Tuomas M.S.
AU  - Timonen,Senni
AU  - Järvinen,Irma-Riitta
AU  - Leskelä,Ilkka
TI  - Laulut ja kirjoitukset: Suullinen ja kirjallinen kulttuuri uuden ajan alun Suomessa
SN  - skst.1427
PY  - 2017///
CY  - Helsinki, Finland
PB  - Finnish Literature Society / SKS
KW  - Northern Europe, Scandinavia
KW  - bicssc
KW  - c 1500 to c 1600
KW  - The Early Church
KW  - Cultural studies
KW  - Folklore, myths & legends
KW  - Sociology & anthropology
KW  - middle ages
KW  - literary culture
KW  - folkloristics
KW  - literary research
KW  - folk poetry
KW  - oral culture
N1  - Open Access
N2  - "Songs and writings: oral and literary cultures in early-modern Finland renews the understanding of exchange between the learned culture of clergymen and the culture of commoners, or “folk”. What happened when the Reformation changed the position of the oral vernacular language to literary and ecclesiastical, and when folk beliefs seem to have become an object for more intensive surveillance and correction? How did clergymen understand and use the versatile labels of popular belief, paganism, superstition and Catholic fermentation? Why did they choose particular song languages, poetic modes and melodies for their Lutheran hymns and literary poems, and why did they avoid oral poetics in certain contexts while accentuating it in others? How were the hagiographical traditions representing the international medieval literary or “great” tradition adapted to “small” folk traditions, and how did they persist and change after the Reformation? What happened to the cult of the Virgin Mary in local oral traditions?  The first Finnish 16th-century  reformers admired the new Germanic models of Lutheran congregational hymns and avoided the Finnic vernacular Kalevala-metre idiom, while their successors picked up many vernacular traits, most notably alliteration, in their ecclesiastical poetry and hymns. Over the following centuries, the new features introduced via new Lutheran hymns such as accentual metres, end-rhymes and strophic structures were infusing into oral folk poetry, although this took place also via secular oral and literary routes. On the other hand, seventeenth-century scholars cultivated a new academic interest in what they understood as “ancient Finnish poetry”.  The book has an extensive English Summary for the international readership.       "
UR  - https://library.oapen.org/bitstream/20.500.12657/31109/1/638234.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/31109/1/638234.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/31109/1/638234.pdf
UR  - https://directory.doabooks.org/handle/20.500.12854/36008
ER  -