TY  - GEN
AU  - Holl,Ute
TI  - Cinema, Trance and Cybernetics
SN  - 9789089646682
PY  - 2017///0430
CY  - Amsterdam
PB  - Amsterdam University Press
KW  - Film theory & criticism
KW  - bicssc
KW  - Media and Communications
KW  - Consciousness
KW  - Cybernetics
KW  - Dziga Vertov
KW  - Jean Rouch
KW  - Physiology
N1  - Open Access
N2  - Ute Holl explores cinema as a cultural technique of trance, unconsciously  transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking
UR  - https://library.oapen.org/bitstream/20.500.12657/31337/1/631164.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/31337/1/631164.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/31337/1/631164.pdf
UR  - https://directory.doabooks.org/handle/20.500.12854/34389
ER  -