TY  - GEN
AU  - Crombez,Thomas
TI  - Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio
SN  - OAPEN_365431
PY  - 2008///
CY  - Gent
PB  - Academia Press
KW  - France
KW  - bicssc
KW  - Flemish
KW  - 20th century
KW  - For emergent readers (adult)
KW  - Theatre: individual actors & directors
KW  - Plays, playscripts
KW  - Literary studies: plays & playwrights
KW  - anti-theater
KW  - historische avant-garde
KW  - theater
KW  - antonin artaud
KW  - historical avant-garde
N1  - Open Access
N2  - What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself
UR  - https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/34700/1/365431.pdf
UR  - https://directory.doabooks.org/handle/20.500.12854/28469
ER  -