TY  - GEN
AU  - Royer,Michelle
TI  - The Cinema of Marguerite Duras : Multisensoriality and Female Subjectivity
SN  - 9781474427869;9781474427876
PY  - 2019///0503
CY  - Edinburgh, UK
PB  - Edinburgh University Press
KW  - France
KW  - bicssc
KW  - Media & Communications
KW  - Cinema
KW  - Duras
KW  - Female
KW  - Marguerite Duras
KW  - Marguerite
KW  - Multisensoriality
KW  - Royer
KW  - Subjectivity
KW  - Michelle Royer
KW  - BISACPER004030
KW  - BISACPER004040
KW  - BISACPHI001000
KW  - BISACSOC010000
KW  - BICAPFA
KW  - BICAPFB
KW  - BICAPFN
KW  - BICHPN
KW  - BICJFSJ1
N1  - Open Access
N2  - The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective
UR  - https://library.oapen.org/bitstream/20.500.12657/25078/1/1005016.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/25078/1/1005016.pdf
UR  - https://library.oapen.org/bitstream/20.500.12657/25078/1/1005016.pdf
UR  - https://directory.doabooks.org/handle/20.500.12854/27880
ER  -