TY  - GEN
AU  - Ristovska,Sandra
TI  - Seeing Human Rights : Video Activism as a Proxy Profession
SN  - mitpress/12244.001.0001
PY  - 2021///
CY  - Cambridge
PB  - The MIT Press
KW  - Political oppression & persecution
KW  - bicssc
KW  - The arts: general issues
KW  - Demonstrations & protest movements
KW  - activism
KW  - video
KW  - images
KW  - visual evidence
KW  - verification
KW  - proxy profession
KW  - human rights
KW  - journalism
KW  - law
KW  - advocacy
KW  - politics
KW  - policy
KW  - new institutionalism
KW  - professionalization
KW  - open source investigation
KW  - witnessing
KW  - Amnesty International
KW  - Human Rights Watch
KW  - WITNESS
KW  - Syrian Archive
KW  - Forensic Architecture
N1  - Open Access
N2  - As video becomes an important tool to expose injustice, an examination of how human rights organizations are seeking to professionalize video activism. Visual imagery is at the heart of humanitarian and human rights activism, and video has become a key tool in these efforts. The Saffron Revolution in Myanmar, the Green Movement in Iran, and Black Lives Matter in the United States have all used video to expose injustice. In Seeing Human Rights, Sandra Ristovska examines how human rights organizations are seeking to professionalize video activism through video production, verification standards, and training. The result, she argues, is a proxy profession that uses human rights videos to tap into journalism, the law, and political advocacy. Ristovska explains that this proxy profession retains some tactical flexibility in its use of video while giving up on the more radical potential and imaginative scope of video activism as a cultural practice. Drawing on detailed analysis of legal cases and videos as well as extensive interviews with staff members of such organizations as Amnesty International, Human Rights Watch, WITNESS, the International Criminal Tribunal for the former Yugoslavia (ICTY), and the International Criminal Court (ICC), Ristovska considers the unique affordances of video and examines the unfolding relationships among journalists, human rights organizations, activists, and citizens in global crisis reporting. She offers a case study of the visual turn in the law; describes advocacy and marketing strategies; and argues that the transformation of video activism into a proxy profession privileges institutional and legal spaces over broader constituencies for public good
UR  - http://mitpress.mit.edu/9780262542531
UR  - https://directory.doabooks.org/handle/20.500.12854/78004
ER  -