TY  - GEN
AU  - Tatsumi,Takayuki
TI  - Cyberpunk in a Transnational Context
SN  - books978-3-03921-422-8
PY  - 2019///
PB  - MDPI - Multidisciplinary Digital Publishing Institute
KW  - n/a
KW  - virtual reality
KW  - Tobi Hirotaka
KW  - collage
KW  - cyberpunk
KW  - co-productions
KW  - virtual worlds
KW  - European cinema
KW  - reception history
KW  - Metropia
KW  - transnational cinema
KW  - layers
KW  - manga
KW  - cinematism
KW  - Lo Tek
KW  - audience
KW  - 2000s
KW  - techno-Orientalism
KW  - outlaw technologist
KW  - YLEM artists using science and technology
KW  - animation
KW  - Masaki Gor?
KW  - “rich sight”
KW  - Germany
KW  - extraterritorial
KW  - proscenium views
KW  - care
KW  - Japanese science fiction
KW  - United States
KW  - post-utopia
KW  - comics
KW  - flattened screens
KW  - William Gibson
KW  - science fiction
KW  - animatism
KW  - post-apocalyptic narrative
KW  - genre
KW  - SCAN
KW  - HyperCard
KW  - bOING bOING
KW  - nostalgia
KW  - global capitalism
KW  - virtual idol
KW  - MONDO 2000
KW  - Timothy Leary
KW  - Walter Benjamin
KW  - visuality
KW  - fractal space
KW  - Marshall McLuhan
KW  - Renaissance
KW  - Hyperart Thomasson
KW  - Pattern Recognition
KW  - dystopia
KW  - Kowloon Walled City
KW  - participatory aesthetics
KW  - Guerrilla Games
KW  - translation
KW  - intertextuality
KW  - nuclear politics
KW  - end of history
KW  - Horizon: Zero Dawn
KW  - detritus
KW  - Blade Runner
N1  - Open Access
N2  - Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film
UR  - https://mdpi.com/books/pdfview/book/1497
UR  - https://directory.doabooks.org/handle/20.500.12854/44475
ER  -