TY  - GEN
AU  - Bettoni,Willy
TI  - Franz Liszt under the Light of Progress : The Idea of Mehrdeutigkeit as Aesthetic Paradigm in the Piano Compositions between the B minor Sonata and the Bagatelle sans tonalité
SN  - 10.5771/9783968218106
PY  - 2021///1019
KW  - AVA, JFC
KW  - bicssc
KW  - 19. Jahrhundert   Aux cyprès de la Villa d'Este S163/3   Berlioz und seine Harold-Symphonie   Es muss sein!   Fortschritt   h-Moll Sonate   La lugubre gondola S200/1   late piano works   Lisztian Pantheon   Nuages gris S199   progress   Romanticism   Romantik   Unstern! – Sinistre S208   Waldesrauschen S145/1   Franz Liszt   Klavier   Musikästhetik
N1  - Open Access
N2  - The idea of progress became increasingly relevant during the 19th century, eventually instigating a paradigm shift. This transformation facilitated not only the emergence of numerous philosophical and literary trends, but also engendered new perspectives in music theory. The composer Franz Liszt was also influenced by the spirit of the epoch. This study’s analysis of his piano compositions from the Sonata in B Minor to the Bagatelle sans tonalité shows how he shaped and adapted his musical language and aesthetic thinking on the basis of what he called the ‘ideal of the time’; The idea of progress became increasingly relevant during the 19th century, eventually instigating a paradigm shift. This transformation facilitated not only the emergence of numerous philosophical and literary trends, but also engendered new perspectives in music theory. The composer Franz Liszt was also influenced by the spirit of the epoch. This study’s analysis of his piano compositions from the Sonata in B Minor to the Bagatelle sans tonalité shows how he shaped and adapted his musical language and aesthetic thinking on the basis of what he called the ‘ideal of the time’
UR  - doi.org/10.5771/9783968218106
UR  - https://directory.doabooks.org/handle/20.500.12854/72459
ER  -