| 000 | 02427naaaa2200301uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/72032 | ||
| 005 | 20220219183932.0 | ||
| 020 | _a9789461664327 | ||
| 020 | _a9789061869948 | ||
| 024 | 7 |
_a10.11116/9789461664327 _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aAVA _2bicssc |
|
| 100 | 1 |
_aCook, Nicholas _4auth |
|
| 700 | 1 |
_aJohnson, Peter _4auth |
|
| 700 | 1 |
_aZender, Hans _4auth |
|
| 245 | 1 | 0 | _aTheory into practice : Composition, Performance and the Listening Experience |
| 260 |
_aLeuven _bLeuven University Press _c2021 |
||
| 300 | _a1 electronic resource (120 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _a"Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions." | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/ |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aTheory of music & musicology _2bicssc |
|
| 653 | _amusical composition; performance; listening experience; analysis | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/50692/1/9789461664327.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/72032 _70 _zDOAB: description of the publication |
| 999 |
_c35955 _d35955 |
||