000 02230naaaa2200289uu 4500
001 https://directory.doabooks.org/handle/20.500.12854/29895
005 20220219184755.0
020 _a/doi.org/10.5771/9783828872035-256
020 _a9783828872035
024 7 _ahttps://doi.org/10.5771/9783828872035-256
_cdoi
041 0 _aEnglish
042 _adc
072 7 _aAV
_2bicssc
100 1 _aBreidenstein, Helmut
_4auth
245 1 0 _aMozart's Tempo-System : A Handbook for Practice and Theory
260 _bTectum Wissenschaftsverlag
_c2019
506 0 _aOpen Access
_2star
_fUnrestricted online access
520 _aA reference book for the musician’s practical work of interpretation, this volume, after a general presentation of 18th century principles for determining a tempo, offers a compendium of all Mozart’s autograph tempo markings in 420 lists of pieces of similar character. Thus, a comparison of slower and quicker movements is made possible by 434 music examples, and there follows a wide-ranging collection of relevant texts taken from historical sources. The book does not claim to know “the single correct tempo” for the works of Wolfgang Amadeus Mozart. It hopes to be of assistance in the unavoidable search by every interpreter for the “true mouvement” of each work—for the work itself, for the performer, the instrument or instruments, the room, the public, the nature of the event. It follows that there can be no absolutely “authentic” tempo for Mozart’s works. And yet his tempo markings, since he chose them so meticulously, should be taken equally seriously with the other parameters of his famously precise notation.
536 _aKnowledge Unlatched
540 _aCreative Commons
_fhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
_2cc
_4https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 _aEnglish
650 7 _aMusic
_2bicssc
653 _aMusic
653 _aReference
856 4 0 _awww.oapen.org
_uhttps://library.oapen.org/bitstream/20.500.12657/43533/1/external_content.pdf
_70
_zDOAB: download the publication
856 4 0 _awww.oapen.org
_uhttps://directory.doabooks.org/handle/20.500.12854/29895
_70
_zDOAB: description of the publication
999 _c36410
_d36410