| 000 | 02849naaaa2200301uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/28964 | ||
| 005 | 20220219193247.0 | ||
| 020 | _a9781138594470 | ||
| 020 | _a9780429488221 | ||
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aAN _2bicssc |
|
| 072 | 7 |
_aANF _2bicssc |
|
| 100 | 1 |
_aEmeka, Justin _4auth |
|
| 245 | 1 | 0 | _aChapter 2 Playing with 'race' in the new millennium |
| 260 |
_bTaylor & Francis _c2019 |
||
| 300 | _a1 electronic resource (14 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _a"Casting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a ""welcome table""—a space where artists of all backgrounds can come together as equals to create theatre—the book’s contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, Disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor’s embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation." | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/ |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aTheatre studies _2bicssc |
|
| 650 | 7 |
_aTheatre direction & production _2bicssc |
|
| 653 | _aAudition, Blackface, Colourblind, Diversity, Ensemble, Ethical, Race, Redface, Representation, Whiteface, culturally conscious casting, social movement, welcome table | ||
| 773 | 1 | 0 |
_0OAPEN Library ID: https://library.oapen.org/handle/20.500.12657/41778 _tCasting a Movement _7nnaa |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/41778/1/9781138594777_oachapter2.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/28964 _70 _zDOAB: description of the publication |
| 999 |
_c38809 _d38809 |
||