000 01761naaaa2200301uu 4500
001 https://directory.doabooks.org/handle/20.500.12854/41438
005 20220219202519.0
020 _a9783110222470
020 _a9783110222470
024 7 _a10.1515/9783110222470
_cdoi
041 0 _aEnglish
042 _adc
100 1 _aGragnolati, Manuele
_4auth
700 1 _aSuerbaum, Almut
_4auth
245 1 0 _aAspects of the Performative in Medieval Culture
260 _bDe Gruyter
_c2010
300 _a1 electronic resource (327 p.)
506 0 _aOpen Access
_2star
_fUnrestricted online access
520 _aThe volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume:the role of ritual speech acts the way in which authorship can be seen as created within medieval texts rather than as a given category finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars.
536 _aKnowledge Unlatched
540 _aCreative Commons
_fhttps://creativecommons.org/licenses/by-nc-nd/4.0/
_2cc
_4https://creativecommons.org/licenses/by-nc-nd/4.0/
546 _aEnglish
653 _aMedieval Literature
653 _aPerformative
653 _aMedieval Culture
856 4 0 _awww.oapen.org
_uhttps://doi.org/10.1515/9783110222470
_70
_zDOAB: download the publication
856 4 0 _awww.oapen.org
_uhttps://directory.doabooks.org/handle/20.500.12854/41438
_70
_zDOAB: description of the publication
999 _c41664
_d41664