000			02076naaaa2200313uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/33017
020			_a9780810139213;9780810139237
041	0		_aEnglish
042			_adc
100	1		_aConnelly, Thomas _4auth
245	1	0	_aCinema of Confinement
260			_aEvanston, Illinois _bNorthwestern University Press _c20190215
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aIn this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess.  Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546			_aEnglish
653			_aArts
653			_aCinema
653			_aPsychoanalysis
653			_aspace
653			_aconfinement
653			_aKubrik
653			_aHitchcock
653			_afilm
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/24854/1/1005249.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/24854/1/1005249.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/24854/1/1005249.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/33017 _70 _zDOAB: description of the publication
999			_c42694 _d42694