| 000 | 03100naaaa2200313uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/31452 | ||
| 020 | _a9789461662507 | ||
| 020 | _a9789461662507 | ||
| 024 | 7 |
_a10.11116/9789461662507 _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aAVA _2bicssc |
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| 100 | 1 |
_ade Assis, Paulo _4auth |
|
| 245 | 1 | 0 | _aLogic of Experimentation : Reshaping Music Performance in and through Artistic Research |
| 260 |
_aLeuven _bLeuven University Press _c2018 |
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| 300 | _a1 electronic resource (260 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
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| 520 | _a"Beyond interpretation: a proposal for experimental performance practices Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike." | ||
| 540 |
_aCreative Commons _fby-nc-nd/4.0 _2cc _4http://creativecommons.org/licenses/by-nc-nd/4.0 |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aTheory of music & musicology _2bicssc |
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| 653 | _amusic performance | ||
| 653 | _aartistic research | ||
| 653 | _amusic ontology | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/28242/1/LOGIC%20OF%20EXPERIMENTATION_285x195__DEF-e.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/28242/1/LOGIC%20OF%20EXPERIMENTATION_285x195__DEF-e.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/28242/1/LOGIC%20OF%20EXPERIMENTATION_285x195__DEF-e.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/31452 _70 _zDOAB: description of the publication |
| 999 |
_c42931 _d42931 |
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