| 000 | 03612naaaa2200685uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/38057 | ||
| 020 | _aban | ||
| 020 | _a9789176350522;9789176350539;9789176350546 | ||
| 024 | 7 |
_a10.16993/ban _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aAN _2bicssc |
|
| 072 | 7 |
_aAV _2bicssc |
|
| 072 | 7 |
_aAVA _2bicssc |
|
| 072 | 7 |
_aD _2bicssc |
|
| 072 | 7 |
_aDS _2bicssc |
|
| 072 | 7 |
_aHB _2bicssc |
|
| 100 | 1 |
_aTessing Schneider, Magnus _4edt |
|
| 700 | 1 |
_aTatlow, Ruth _4edt |
|
| 700 | 1 |
_aTessing Schneider, Magnus _4oth |
|
| 700 | 1 |
_aTatlow, Ruth _4oth |
|
| 245 | 1 | 0 | _aMozart's 'La clemenza di Tito': A Reappraisal |
| 260 |
_aStockholm _bStockholm University Press _c2018 |
||
| 300 | _a1 electronic resource (194 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _a"In the two centuries since Mozart’s La clemenza di Tito was first performed, and the almost three centuries since Metastasio created the libretto, many rumours, myths and prejudiced opinions have gathered around the work, creating a narrative that Mozart, Mazzolà and their contemporaries would scarcely recognise. The essays in this book contribute ideas, facts and images that will draw the twenty-first-century reader closer to the events of Central Europe in the late eighteenth century, and these new facts and ideas will help peel off some of the transmitted accretions that may hinder a modern listener from enjoying and understanding the opera in all its fullness. In this sense the essays present the reappraisal promised in the title. The book is a product of the Performing Premodernity research project, funded by the Swedish Foundation for Humanities and Social Sciences and based at the department of theatre studies of Stockholm University. Envisioned and edited by Magnus Tessing Schneider and Ruth Tatlow, the five essays by internationally renowned Mozart scholars are preceded by a chronology and a selection of original documents presented in new and revised parallel translations." | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/ |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aTheatre studies _2bicssc |
|
| 650 | 7 |
_aMusic _2bicssc |
|
| 650 | 7 |
_aTheory of music & musicology _2bicssc |
|
| 650 | 7 |
_aLiterature & literary studies _2bicssc |
|
| 650 | 7 |
_aLiterature: history & criticism _2bicssc |
|
| 650 | 7 |
_aHistory _2bicssc |
|
| 653 | _ala clemenza di tito | ||
| 653 | _ametastasio | ||
| 653 | _acoronations | ||
| 653 | _aabsolutism | ||
| 653 | _aprague | ||
| 653 | _amazzolà | ||
| 653 | _aenlightenment | ||
| 653 | _a1790s | ||
| 653 | _atheatre | ||
| 653 | _aestates | ||
| 653 | _afrench revolution | ||
| 653 | _ahabsburg | ||
| 653 | _alibretto studies | ||
| 653 | _aemperor leopold ii | ||
| 653 | _atheatre history | ||
| 653 | _amozart | ||
| 653 | _aitalian opera | ||
| 653 | _aopera seria | ||
| 653 | _aPietro Metastasio | ||
| 653 | _aVienna | ||
| 653 | _aWolfgang Amadeus Mozart | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30160/1/649677.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30160/1/649677.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30160/1/649677.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/38057 _70 _zDOAB: description of the publication |
| 999 |
_c43077 _d43077 |
||