| 000 | 03343naaaa2200469uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/31631 | ||
| 020 | _a9781786940803 | ||
| 020 | _a9781786940803 | ||
| 024 | 7 |
_a10.3828/9781786940803 _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aA _2bicssc |
|
| 100 | 1 |
_aH. Raheja, Michelle _4edt |
|
| 700 | 1 |
_aJ. Phillipson, D. _4edt |
|
| 700 | 1 |
_aGilbert, Helen _4edt |
|
| 700 | 1 |
_aH. Raheja, Michelle _4oth |
|
| 700 | 1 |
_aJ. Phillipson, D. _4oth |
|
| 700 | 1 |
_aGilbert, Helen _4oth |
|
| 245 | 1 | 0 | _aIn the Balance: Indigeneity, Performance, Globalization |
| 260 |
_aLiverpool _bLiverpool University Press _c2017 |
||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aIndigenous arts, simultaneously attuned to local voices and global cultural flows, have often been the vanguard in communicating what is at stake in the interactions, contradictions, disjunctions, opportunities, exclusions, injustices and aspirations that globalization entails. Focusing specifically on embodied arts and activism, this interdisciplinary volume offers vital new perspectives on the power and precariousness of indigeneity as a politicized cultural force in our unevenly connected world. Twenty-three distinct voices speak to the growing visibility of indigenous peoples’ performance on a global scale over recent decades, drawing specific examples from the Americas, Australia, the Pacific, Scandinavia and South Africa. An ethical touchstone in some arenas and a thorny complication in others, indigeneity is now belatedly recognised as mattering in global debates about natural resources, heritage, governance, belonging and social justice, to name just some of the contentious issues that continue to stall the unfinished business of decolonization. To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. Collectively, they urge a fresh look at mechanisms of postcolonial entanglement in the early 21st century as well as the particular rights and insights afforded by indigeneity in that process. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc/4.0/ |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aThe arts _2bicssc |
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| 653 | _aglobalization | ||
| 653 | _apostcolonial arts | ||
| 653 | _acontemporary | ||
| 653 | _aactivism | ||
| 653 | _amodern | ||
| 653 | _apostcolonial | ||
| 653 | _aglobal | ||
| 653 | _atrans-indigenous | ||
| 653 | _aindigeneity | ||
| 653 | _aindigenous arts | ||
| 653 | _aperformance | ||
| 653 | _aIndigenous peoples | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/31179/1/636305.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/31179/1/636305.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/31179/1/636305.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/31631 _70 _zDOAB: description of the publication |
| 999 |
_c43330 _d43330 |
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