000			02037naaaa2200265uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/35196
020			_a9780822372042
041	0		_aEnglish
042			_adc
100	1		_aHeinrich, Ari Larissa _4auth
245	1	0	_aChinese Surplus : Biopolitical Aesthetics and the Medically Commodified Body
260			_aDurham, NC _bDuke University Press _c20180105
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aIn CHINESE SURPLUS Ari Heinrich dissects the figure of the medically or artistically commodified body in Chinese culture and popular science. Providing a history of how bodies have been thought and seen to mirror the nation, Heinrich charts the trajectory from an imperial idea of the body as a machine with interchangeable parts to current representations in which the parts are worth more than the whole and may be harvested at will--what he calls a diasporic form of the body. In seeing the body this way Heinrich makes clear his case for a new method he calls biopolitical aesthetics, one that uses the tools of literary and visual culture analysis to restore agency to aesthetics in the production of meaning in life during contemporary biopolitical times.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/arr/4.0/legalcode _2cc _4https://creativecommons.org/licenses/arr/4.0/legalcode
546			_aEnglish
653			_aHistory
653			_aAesthetics
653			_aChina
653			_aHong Kong
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30254/1/648163.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30254/1/648163.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30254/1/648163.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/35196 _70 _zDOAB: description of the publication
999			_c43473 _d43473