| 000 | 02674naaaa2200397uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/34785 | ||
| 020 | _a9781138091528; 9781315107981 | ||
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aC _2bicssc |
|
| 072 | 7 |
_aD _2bicssc |
|
| 072 | 7 |
_aJFD _2bicssc |
|
| 100 | 1 |
_aBenthien, Claudia _4auth |
|
| 700 | 1 |
_aLau, Jordis _4auth |
|
| 700 | 1 |
_aMarxsen, Maraike M. _4auth |
|
| 245 | 1 | 0 | _aThe Literariness of Media Art |
| 260 |
_bTaylor & Francis _c2019 |
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| 300 | _a1 electronic resource (330 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _a“Language can be this incredibly forceful material—there’s something about it where if you can strip away its history, get to the materiality of it, it can rip into you like claws” (Hill in Vischer 1995, 11). This arresting image by media artist Gary Hill evokes the nearly physical force of language to hold recipients in its grip. That power seems to lie in the material of language itself, which, with a certain rawness, may captivate or touch, pounce on, or even harm its addressee. Hill’s choice of words is revealing: ‘rip into’ suggests not only a metaphorical emotional pull but also the literal physicality of linguistic attack. It is no coincidence that the statement comes from a media artist, since media artworks often use language to produce a strong sensorial stimulus. Media artworks not only manipulate language as a material in itself, but they also manipulate the viewer’s perceptual channels. The guises and effects of language as artistic material are the topic of this book, The Literariness of Media Art. | ||
| 540 |
_aCreative Commons _fby-nc-nd/4.0/ _2cc _4http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aLanguage _2bicssc |
|
| 650 | 7 |
_aLiterature & literary studies _2bicssc |
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| 650 | 7 |
_aMedia studies _2bicssc |
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| 653 | _aMedia Art | ||
| 653 | _aliterary approach | ||
| 653 | _alanguage | ||
| 653 | _aDefamiliarization | ||
| 653 | _aNew media art | ||
| 653 | _aRussian formalism | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/29421/1/9781138091511_text.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/29421/1/9781138091511_text.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/29421/1/9781138091511_text.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/34785 _70 _zDOAB: description of the publication |
| 999 |
_c43975 _d43975 |
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