000			02987naaaa2200337uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/39521
020			_azenodo.1180721
020			_a9783961100651
024	7		_a10.5281/zenodo.1180721 _cdoi
041	0		_aEnglish
042			_adc
072		7	_aCF _2bicssc
100	1		_aFox, Wendy _4auth
245	1	0	_aCan integrated titles improve the viewing experience? : Investigating the impact of subtitling on the reception and enjoyment of film using eye tracking and questionnaire data
260			_bLanguage Science Press _c20180302
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aHistorically a dubbing country, Germany is not well-known for subtitled productions. But while dubbing is predominant in Germany, more and more German viewers prefer original and subtitled versions of their favourite shows and films. Conventional subtitling, however, can be seen as a strong intrusion into the original image that can not only disrupt but also destroy the director’s intended shot composition and focus points. Long eye movements between focus points and subtitles decrease the viewer’s information intake, and especially German audiences, who are often not used to subtitles, seem to prefer to wait for the next subtitle instead of looking back up again. Furthermore, not only the placement, but also the overall design of conventional subtitles can disturb the image composition – for instance titles with a weak contrast, inappropriate typeface or irritating colour system. So should it not, despite the translation process, be possible to preserve both image and sound as far as possible? Especially given today’s numerous artistic and technical possibilities and the huge amount of work that goes into the visual aspects of a film, taking into account not only special effects, but also typefaces, opening credits and text-image compositions. A further development of existing subtitling guidelines would not only express respect towards the original film version but also the translator’s work.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/legalcode _2cc _4https://creativecommons.org/licenses/by/4.0/legalcode
546			_aEnglish
650		7	_alinguistics _2bicssc
653			_aLinguistics
653			_aAesthetics
653			_aEye tracking
653			_aHearing loss
653			_aSubtitles
653			_aTypography
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/29550/1/1000384.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/29550/1/1000384.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/29550/1/1000384.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/39521 _70 _zDOAB: description of the publication
999			_c44069 _d44069