| 000 | 04954naaaa2201345uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/43975 | ||
| 005 | 20220219215207.0 | ||
| 020 | _abooks978-3-03921-557-7 | ||
| 020 | _a9783039215560 | ||
| 020 | _a9783039215577 | ||
| 024 | 7 |
_a10.3390/books978-3-03921-557-7 _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 100 | 1 |
_aSalmose, Niklas _4auth |
|
| 245 | 1 | 0 | _aContemporary Nostalgia |
| 260 |
_bMDPI - Multidisciplinary Digital Publishing Institute _c2019 |
||
| 300 | _a1 electronic resource (194 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aSome of the most pressing contemporary issues (ecological crisis, migration and integration, fragmented worldviews, social media, fake news, extremist politics and terrorism) can be understood more profoundly through how they interact with both individual and collective forces of nostalgia. Nostalgia is politics, but these politics are also interwoven with media and culture. Notwithstanding how nostalgia is used or contextualized in terms of politics and social practices, commodification or personal development, its power is primarily situated within its efficacy as a governing, influential human emotion. The vast and luminous contributions to this special issue on contemporary nostalgia are all investigating the role different aesthetic media formats (film, music, literature, computer games) plays in nostalgic negotiations with style, history, migration, love, nationalism, diaspora, irony, modernity, colonial and postcolonial discourses, and adoption. Mutually, these essays stand out as important, original, critical contributions to the expanding field of nostalgia studies and offer a valued insight on our world. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/ |
||
| 546 | _aEnglish | ||
| 653 | _aillustrations | ||
| 653 | _an/a | ||
| 653 | _atropic reinvention | ||
| 653 | _asimulation | ||
| 653 | _aémigré writers | ||
| 653 | _amotherhood | ||
| 653 | _anostalgic spaces | ||
| 653 | _aimagery | ||
| 653 | _aNaumann | ||
| 653 | _acontemporary nostalgia | ||
| 653 | _agrotesque | ||
| 653 | _adisplacement | ||
| 653 | _aintermediality | ||
| 653 | _anostalgic experience | ||
| 653 | _aF. Scott Fitzgerald | ||
| 653 | _aSecond World War | ||
| 653 | _aNorth Africa Campaign | ||
| 653 | _apost-communism | ||
| 653 | _arailways | ||
| 653 | _aostalgia | ||
| 653 | _aPartition fiction | ||
| 653 | _aretro aesthetics | ||
| 653 | _aIndia | ||
| 653 | _aHollywood | ||
| 653 | _aNubia | ||
| 653 | _arestorative nostalgia | ||
| 653 | _anarrative modes | ||
| 653 | _aIan McEwan | ||
| 653 | _aLars Gustafsson | ||
| 653 | _apost-Yugoslav music | ||
| 653 | _aRickardsson | ||
| 653 | _acosmopolitanism | ||
| 653 | _aidealisation | ||
| 653 | _anostalgic dystopias | ||
| 653 | _aheritage cinema | ||
| 653 | _aadvertisements | ||
| 653 | _apartition | ||
| 653 | _aresponsibility | ||
| 653 | _a“The Rich Boy” | ||
| 653 | _aheterotopia | ||
| 653 | _achildhood | ||
| 653 | _amyths | ||
| 653 | _aspatial production | ||
| 653 | _anostalgic narrative | ||
| 653 | _apopular literature | ||
| 653 | _arefugees | ||
| 653 | _acommodification of feelings and memories | ||
| 653 | _amodernism | ||
| 653 | _aethics | ||
| 653 | _afirst-person narrative | ||
| 653 | _atransnational adoption | ||
| 653 | _aFinland-Swedish literature | ||
| 653 | _aimperial nostalgia | ||
| 653 | _aRed Book Magazine | ||
| 653 | _aAmerican literature | ||
| 653 | _aAtonement | ||
| 653 | _amodernity | ||
| 653 | _adisembodied territoriality | ||
| 653 | _aexpatriation | ||
| 653 | _athe concept of love | ||
| 653 | _aindependent style | ||
| 653 | _anarrative mediation | ||
| 653 | _aF.R. Gruger | ||
| 653 | _anation-state | ||
| 653 | _asouthern gothic | ||
| 653 | _avideo games | ||
| 653 | _aCzech history | ||
| 653 | _ahistorical recreation | ||
| 653 | _amemory | ||
| 653 | _aEgypt | ||
| 653 | _amedia | ||
| 653 | _aautobiography | ||
| 653 | _aRichard Ford | ||
| 653 | _acollective memory | ||
| 653 | _aCzech film | ||
| 653 | _anormalisation | ||
| 653 | _aPakistan | ||
| 653 | _aNiklas Salmose | ||
| 653 | _areflective nostalgia | ||
| 653 | _atext-image relations | ||
| 653 | _aFoucault | ||
| 653 | _apoetry | ||
| 653 | _anostalgia | ||
| 653 | _aYugonostalgia | ||
| 653 | _anostalgic strategies | ||
| 653 | _ametanostalgia | ||
| 653 | _alost ideal | ||
| 653 | _acolonial nostalgia | ||
| 653 | _apastoral | ||
| 653 | _alandscape | ||
| 653 | _aterritory | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://mdpi.com/books/pdfview/book/1568 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/43975 _70 _zDOAB: description of the publication |
| 999 |
_c46126 _d46126 |
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