000			02316naaaa2200505uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/47359
005			20220219220620.0
020			_a9783839437629
041	0		_aEnglish
042			_adc
100	1		_aBecker, Daniel _4auth
700	1		_aNiehoff, Simone _4auth
700	1		_aFischer, Annalisa _4auth
245	1	0	_aFaking, Forging, Counterfeiting
260			_btranscript Verlag _c2017
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aForgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original – but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability.
536			_aKnowledge Unlatched
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/
546			_aEnglish
653			_aTranslation
653			_aArt
653			_aLiterature
653			_aCultural History
653			_aAesthetic Practice
653			_aCreativity
653			_aArts
653			_aFaked Tradition
653			_aTheory of Art
653			_aCopy
653			_aCultural Studies
653			_aImitation
653			_aMedia Aesthetics
653			_aCultural Transfer
653			_aGeneral Literature Studies
653			_aForgery
653			_aPseudotranslation
653			_aIdentity Theft
653			_aHoax
653			_aOriginal
653			_aCulture
653			_aImposter
856	4	0	_awww.oapen.org _uhttp://www.transcript-verlag.de/978-3-8376-3762-5/ _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/47359 _70 _zDOAB: description of the publication
999			_c46847 _d46847