| 000 | 02438naaaa2200301uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/38592 | ||
| 005 | 20220220001121.0 | ||
| 020 | _a9780367539405 | ||
| 020 | _a9781003029199 | ||
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aAC _2bicssc |
|
| 100 | 1 |
_aJurkowlaniec, Grażyna _4auth |
|
| 700 | 1 |
_aHerman, Magdalena _4auth |
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| 245 | 1 | 0 | _aChapter Introduction People Between Multiplied Things and Modified Images |
| 260 |
_bTaylor & Francis _c2020 |
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| 300 | _a1 electronic resource (24 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aPrinted images were, on one hand, material objects produced, owned or variously transformed by humans, but on the other hand, they were immaterial representations, conceived and variously received by humans as well. Certainly, such a complex relationship among things, people and images is not an exclusive feature of the premodern periods print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms. Three short insights may exemplify this rise of printmaking. The first insight s point of departure comprises material objects related to Lucas Cranach the Elders early Crucifixion; the second insight offers a human perspective, starting with Christophe Plantins working practices; and the third insight is a short story that emphasises the ambiguities surrounding what printed images represent, as epitomised by early modern depictions of wisent, a species related to the North American bison, but often confused with the Eastern European aurochs. | ||
| 536 | _aUniwersytet Warszawski | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/ |
||
| 546 | _aEnglish | ||
| 650 | 7 |
_aHistory of art / art & design styles _2bicssc |
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| 653 | _aart history; Renaissance; printed images; visual culture; European art history | ||
| 773 | 1 | 0 |
_0OAPEN Library ID: https://library.oapen.org/handle/20.500.12657/45982 _tThe Reception of the Printed Image in the Fifteenth and Sixteenth Centuries _7nnaa |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/45982/1/9781003029199_OAIntroduction.pdf _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/38592 _70 _zDOAB: description of the publication |
| 999 |
_c53000 _d53000 |
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