000			01988naaaa2200301uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/37763
020			_aj.ctt1zxshsh
020			_a9781618116956;9781618119353
024	7		_a10.2307/j.ctt1zxshsh _cdoi
041	0		_aEnglish
042			_adc
100	1		_aOppo, Andrea _4edt
700	1		_aOppo, Andrea _4oth
245	1	0	_aShapes of Apocalypse : Arts and Philosophy in Slavic Thought
260			_aBoston, MA _bAcademic Studies Press _c20130501
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis collective volume aims to highlight the philosophical and literary idea of “apocalypse,” within some key examples in the “Slavic world” during the nineteenth and twentieth century. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth century philosophy, not omitting theatre, cinema or music, there is a specific examination of the concepts of “end of history” and “end of present time” as conditions for a redemptive image of the world. To understand this idea means to understand an essential part of Slavic culture, which; however divergent and variegated it may be in general, converges on a specific myth in a surprising manner.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc/4.0/legalcode _2cc _4https://creativecommons.org/licenses/by-nc/4.0/legalcode
546			_aEnglish
653			_aArts
653			_aArt
653			_aJerzy Grotowski
653			_aMiroslav Krleža
653			_aNikolai Gogol
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30903/1/641438.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/30903/1/641438.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/37763 _70 _zDOAB: description of the publication
999			_c53699 _d53699