000			03253naaaa2200373uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/70720
020			_anoasp.127
020			_a9788202714284
020			_a9788202714253
020			_a9788202714260
020			_a9788202714277
024	7		_a10.23865/noasp.127 _cdoi
041	0		_aEnglish
042			_adc
072		7	_aABA _2bicssc
072		7	_aRNA _2bicssc
072		7	_aHPM _2bicssc
100	1		_aHalland, Ingrid _4edt
700	1		_aHalland, Ingrid _4oth
245	1	0	_aUng Uro : Unsettling Climates in Nordic Art, Architecture and Design
260			_aOslo _bCappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) _c2021
300			_a1 electronic resource (156 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_a"How can the unsettling climates of our times be understood? How can art, architecture, and design that engages with the complexities of our current age be analysed and criticised? Etymologically, the Norwegian word uro carries a double meaning: it can denote both ‘disquiet and unease’ as well as ‘riot and disturbance’. The word stems from the Old Norse úró and is used to describe political turmoil, social disorder, and a psychological state of restless anxiety. Thus the title of this anthology, Ung Uro (literally ‘young unrest’), intimates the paradoxical tension between describing our new geological condition – the Anthropocene – and referring to the reactions this condition provokes. In Ung Uro. Unsettling Climates in Nordic Art, Architecture and Design, thirteen young writers, critics, and art historians examine how Nordic visual art, architecture, and design relate to this new state of unease. Their topics span from early 20th century landscape painting to contemporary bio-acoustics, from Snøhetta’s energy-positive architecture to the Sami chant yoik, and from IKEA showrooms to fungi and bees as co-creators of artistic work. The empirical material consists mainly of specific exhibitions, artistic projects, and related events that took place for the most part in Norway from 2018 to 2020, and therefore the book is also a record of critical issues at stake in Nordic contemporary art and culture in the late 2010s. All those with an interest in contemporary art, design, and visual studies, including students, will find this book valuable."
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/
546			_aEnglish
650		7	_aTheory of art _2bicssc
650		7	_aEnvironmentalist thought & ideology _2bicssc
650		7	_aPhilosophy of mind _2bicssc
653			_aArt criticism, Nordic contemporary art, 2010s, ecocritical art history, the Anthropocene, ethical criticality, deep relationalism
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/49453/1/Uro_PDF.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/49453/1/Uro_PDF.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/70720 _70 _zDOAB: description of the publication
999			_c54207 _d54207