000			03318naaaa2200313uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/38825
020			_a9789053567081
024	7		_a10.5117/9789053567081 _cdoi
041	0		_aEnglish
042			_adc
072		7	_aAP _2bicssc
072		7	_aAPF _2bicssc
100	1		_aThompson, Kristin _4auth
245	1	0	_aHerr Lubitsch Goes to Hollywood : German and American Film after World War I
260			_bAmsterdam University Press _c2005
300			_a1 electronic resource (224 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aErnst Lubitsch, the German film director who left Berlin for Hollywood in 1923, is best remembered for the famous "Lubitsch touch" in such masterpieces as Trouble in Paradise and Ninotchka, featuring Greta Garbo. Kristin Thompson's study focuses on Lubitsch's silent films from the years between 1918 and 1927, tracing the impact this director had on consolidating classical Hollywood filmmaking. She gives a new assessment of the stylistic two-way traffic between the American and the German film industries, after World War I each other's strongest rival in Europe. By 1919, Lubitsch had emerged as the finest proponent of the German studio style: sophisticated, urbane and thoroughly professionalized. He was quick to absorb 'American' innovations and stylistic traits, becoming the unique master of both systems and contributing to the golden ages of the American as well as the German cinema. Utilizing Lubitsch's silent films as a key to two great national cinemas, Thompson's meticulously illustrated and extensively researched book goes beyond an authorial study and breaks new ground in cinema history. Click on the PDF button to download the table of contents
520			_aDe succesvolle Duitse filmmaker Ernst Lubitsch, die in de twintiger jaren Berlijn verruilde voor Hollywood, is vandaag de dag nog steeds bekend om meesterwerken als Ninotchka en The Shop around the Corner. De beroemde 'Lubitsch Touch', zoals men zijn unieke stijl karakteriseerde, werd bedacht door slimme studiobazen om Lubitsch als merknaam te poneren. In Herr Lubitsch goes to Hollywood bestudeert Kristin Thompson de stomme films die Ernst Lubitsch maakte tussen 1918 en 1927. Zijn vroege werk biedt een uniek uitgangspunt voor een vergelijking tussen de klassieke Hollywoord films uit die jaren en de Duitse films die gemaakt werden na de Eerste Wereldoorlog. Het resultaat is een diepgaande analyse van twee belangrijke filmstijlen in de levendige beginjaren van de filmgeschiedenis. Klik op de knop PDF om de inhoudsopgave in te zien.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc/3.0/ _2cc _4https://creativecommons.org/licenses/by-nc/3.0/
546			_aEnglish
650		7	_aFilm, TV & radio _2bicssc
650		7	_aFilms, cinema _2bicssc
653			_amotion pictures
653			_afilm
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/35134/1/340212.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/35134/1/340212.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/38825 _70 _zDOAB: description of the publication
999			_c55121 _d55121