000			02175naaaa2200313uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/26696
020			_aP3.0087.1.00
024	7		_a10.21983/P3.0087.1.00 _cdoi
041	0		_aEnglish
042			_adc
072		7	_aACXD2 _2bicssc
100	1		_aJohnson, C.B. _4auth
245	1	0	_aModernity without a Project
260			_aBrooklyn, NY _bpunctum books _c2015
300			_a1 electronic resource (212 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aEntering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of “the contemporary” in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York’s Museum of Modern Art, Minoru Yamasaki’s vanished Utopias, the “anarchitecture” of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-sa/3.0/ _2cc _4https://creativecommons.org/licenses/by-nc-sa/3.0/
546			_aEnglish
650		7	_aArt & design styles: Modernist design & Bauhaus _2bicssc
653			_amodernism
653			_acultural studies
653			_aarchitecture
653			_aavant-garde art
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/25534/1/1004561.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/25534/1/1004561.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/25534/1/1004561.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/26696 _70 _zDOAB: description of the publication
999			_c55525 _d55525