000			02094naaaa2200325uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/29919
020			_a9781644691137
041	0		_aEnglish
042			_adc
072		7	_aAPFA _2bicssc
100	1		_aCoëgnarts, Maarten _4auth
245	1	0	_aFilm as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick
260			_aBoston, MA _bAcademic Studies Press _c20190930
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aHow do the visuals of Kubrick’s work convey complex concepts and abstractions without the traditional reliance on words? And how does the pure instrumental music in his films express meaning when music, in essence, is an abstract art form? Drawing on state-of-the-art research in embodied cognitive science, this book sets out to explore these questions by revealing Kubrick as a genuine conceptual artist, a filmmaker who perhaps more than any other director, uses all the non-verbal resources of filmmaking in such a controlled and dense manner as to elicit the bodily structures necessary to achieve a level of conceptual understanding.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc/4.0/legalcode _2cc _4https://creativecommons.org/licenses/by-nc/4.0/legalcode
546			_aEnglish
650		7	_aFilm theory & criticism _2bicssc
653			_aMedia & Communications
653			_aKubrick
653			_aFilm
653			_aFilm theory
653			_acognitive science
653			_afilm music
653			_adirectors
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/24495/1/1005620.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/24495/1/1005620.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/24495/1/1005620.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/29919 _70 _zDOAB: description of the publication
999			_c57737 _d57737